> what one might call disruptive media ?
Or next generation tv/radio. millions of user streamed channels.
Live and on-demand.
> All of this implies that an individual can receive content without
> ever using a "TV" or leaving their domicile. How will this impact
> performance arts such as film, theater, dance, music? Will we see more
> and more of a virtual audience presence at these "events", perhaps
> leading to the "death" of the physical performance?
Or why not get an even BIGGER TV and watch/PARTICIPATE in live multi-location
studio sessions as artists perform their new pieces or more informally, when
the are rehearsing new material. Invite people into your multi-city live sessions.
Live audiences can MERGE into larger multi-location networks/nodes -
as live dj sets are mixed/synced around the globe. Symphony halls can combine
their morning and night suites depending on their timezones. A signal can be
passed from Beijing to NY, and through RIO to Copenhagen and back to Beijing.
We're not done with broadcasting, but it doesn't have to be limited to one to many,
it should be P2P2M.
In Beijing I've been working on Artsmesh, a protool to manage p2p media streams
(uncompressed multichannel audio, video and open sound control) - and then to youtube live.
It requires a new type of presence engineering as users are
enabled to construct complex routing paths with their peers around the globe.
This is network spatialization.
It has been experimented with in universities over the last few years on ipv6 1 gig
networks. But enter google fibre and we are on our way.
Today Beijing (CCOM) and Hong Kong (HKAPA) are doing a concert -
I believe it is the opening of their new "innovation lab."
AND we're saving carbon by doing it on the net.
Happy to discuss in more detail with all over skype/hangouts (sorry for the plug),
Ken
Kenneth Fields, Ph.D.
Professor Computer Music
SYNEME LAB: Telemusic
CEMC - China Electronic Music Center
Central Conservatory of Music
43 BaoJia Street
Beijing 100031 China,
Email: ken.fields@gmail.com
http://syneme.ccom.edu.cn <http://syneme.ccom.edu.cn/>
http://artsmesh.com <http://artsmesh.com/>
skype/hangouts: ken.fields
> On Sep 18, 2015, at 10:23 AM, roger malina <rmalina@alum.mit.edu> wrote:
>
> Bill
>
> thanks for your radar point about the transformation of the performance arts
> by live and distributed streaming/ what one might call disruptive media ?
>
> at the end of this email I attach a radar point submitted by Sonya
> Landy Sheridan
> who is one of the amazing pioneers of our community: http://www.sonart.org/
> among other things she founded and ran the Generative Systems Program
> at The Art Institute of Chicago 1970-1980
> at a time when fax art ( remember that) was transformative !
>
> any one have thoughts on these issues ?
>
> sonya's facebook group is at
> https://www.facebook.com/Generative-Systems-Workshop-and-Archive-184066178298089/timeline/
>
> roger malina
>
> From: William Joel <joelw@wcsu.edu>
>
> What's on mind? What has my internal radar picked up on?
>
> Well, one "thing" I've been watching is the convergence of various
> electronically delivered media. Consider how non-stations, such as
> Hulu and Netflix, are now "broadcasting" shows they've produced,
> rather than content from other media. Also, how various broadcast and
> cable stations now have a web presence. In addition, services such as
> Livestream allow us to "attend" a performance from the comfort of ...
> well ... nearly anywhere.
>
> All of this implies that an individual can receive content without
> ever using a "TV" or leaving their domicile. How will this impact
> performance arts such as film, theater, dance, music? Will we see more
> and more of a virtual audience presence at these "events", perhaps
> leading to the "death" of the physical performance?
>
> Anyway, you asked. ;-)
>
> Bill Joel
>
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